How Photography Will Change With a Trump Presidency – And How to Edit Your Pictures to Stay Ahead of the Game

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There’s no doubt that photographers are now more confused than ever about what to shoot, as this picture proves. I’m sure there are some who would like to shoot the Trumpster himself! (Note to FBI and CIA: “shoot”, in this context, refers to exposing film or digital media to a light source for a brief period, usually about 1/125th of a second, for the purposes of capturing an image on said media). On hearing the news of Trump’s Shock Election Victory™, coming as it did hot on the heels of the Shock Brexit Vote™, they collapsed where they stood, some barely able to hold onto their cameras.

Of course, the big question hapless photogs are asking in this post-2016-election world is: is my memory card big enough? This is the same question shooters have asked since the dawn of digital, so, no change there.

There’s no doubt we awoke to a different world on November 9th, 2016. According to some commentators, it’s the end of the world as we know it. To others, it’s the beginning of an exciting new era.

But now it’s starting to feel as though every pundit is trying to Trump their opinion, regardless of their field of expertise.

So I thought I’d better weigh in, too, on behalf of photographers everywhere. Or not. As the case may be. Whatever. The headline above is nothing more than a bit of Tom Foolery, a bit of a leg-pull. Not to be taken seriously.

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I just thought you might enjoy this photograph of a modern building in the Johannesburg suburb of Rosebank. As far as I am aware, it isn’t owned by Donald Trump, but I figured if I could work his name into this caption, I might be able to score a bit of extra SEO juice. C’mon Google, play fair, here! I’m trying, dammit.

©2016. All images copyright Grahame Hall and may not be used without my written permission. Don’t be a doos*. Please respect the rights of others.

* The word “doos” is a South African, more specifically Afrikaans, word that, literally translated, means “box”. However, if I say to you “don’t be a doos,” I don’t have a cardboard carton in mind.

How many pics are left in your current camera?

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Straight out the camera, no manipulation of any description. Beautiful brass work on a Model T Ford.

My main camera for some years now has been a Fujifilm Finepix S5600. As far as I can tell it hit the market in 2006 to rave reviews. When I bought mine it was already, I think, towards the end of its production run. In fact, it may have already ceased production. I was drawn to it because a friend had the previous model and I was very impressed with the results he was getting.

Anyway, over the years I’ve often been surprised by the quality of pictures this little camera produces. The EVF isn’t the best around, and the rear viewing screen is almost laughable by today’s standards. If you remember the days of film you probably recall that agonising/excited wait to see your results. Using my Finepix is a bit like that. I don’t really know what the pictures will look like until I load them onto my computer.

I was at a Ford Heritage Day hosted by the Vintage and Veteran Club (VVC) in Johannesburg recently. A friend who owns a Model A had called me up saying there may be some cool pictures to be had. So off I trundled with my trusty Finepix in tow.

I always set the film setting to “C” – which stands for “Chrome” and I think is meant to emulate the saturation produced by Fujichrome Velvia. Occasionally I set it to “B”, which is the b+w setting, apparently an emulation of Fuji Neopan.

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“And we’ll have fun, fun, fun ’til her daddy takes the T-bird away.” The Beach Boys. Sometimes the Fuji battles a bit with intense reds, especially in high contrast scenarios. But today we were blessed with an overcast sky that helped to tone things down a bit.

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Below is a comparison shot from a similar angle, using my 20.7 mpx Sony Xperia z3 phone camera, also straight out the camera with no manipulation at all.
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“Any colour you like, as long as it’s black.” Henry Ford You can see a re-worked version of this shot over on my Instagram, or on my Flickr stream.

Of course, how you see these pics will depend a lot on your monitor, and how you’ve set it up. There are so many variables with digital photography and viewing pictures online, that it’s almost impossible to evaluate what a photograph actually looks like. Also, I believe that as soon as a picture is edited, knowing what camera is was taken on becomes almost irrelevant.

The other point is don’t keep salivating for the latest and greatest. There are probably plenty of pics left in your current camera.

©2016. All images copyright Grahame Hall and may not be used without my written permission. Please respect the rights of others.

A Little Fun with a Technique I Usually Hate

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Generally speaking, I’m not a fan of many of the post-processing techniques in use today. It’s not that I’m against post processing per se, it’s just that I feel many photographers are processing their pictures beyond, in some cases far beyond, what I would consider the boundaries of reality.

Don’t get me wrong, I think many pictures benefit from a little skilled  manipulation, and I’m not suggesting that to be successful, a photograph must represent an accurate rendition of reality. But I do believe a photograph should be believable, even if it’s a complete abstract. In other words, when what you see on the page or screen is a close approximation of what the camera saw.

There are many photographers using this or that technique ad nauseam, to the point where one suspects they are attempting to cover up for poor photographic technique in other areas. Everyday we see things like terrible HDR pictures perpetrated by people who seem to want to shove their bad LSD experiences down our throats.

One of the techniques, though, that consistently invokes my ire, is selective de-saturation (or selective colour as some prefer to call it).

The very first time I ever encountered such an image was on a poster way back in the 1970s. If I remember correctly, the subject was a little girl holding a red rose, with the rose being the only colour in the shot. All of us who saw it were amazed.

The thing is, back then, if you saw a selectively de-saturated pic, you knew it required hours of quite complicated darkroom work, so you didn’t see too many of them. Today the same effect can be achieved  easily by pressing a button or two and moving a couple of sliders. In other words, anyone can do it. Of course, anyone could have done it the dark(room) ages, too, but you’d have to be a real masochist to even attempt it.

One of the best uses of the technique I’ve come across in the digital era is this image by Travis T on Flickr.

Yesterday, I was out and about on the Scott Kelby Worldwide Photo Walk and saw the cranes (above) in the late afternoon as the sun was just beginning to set, and fired of a couple of frames. When I saw the scene, I visualized a pic with a white sky and the only colour being that of the sunset hues seen through windows of the cranes’ cabs.

I messed about a bit with the colour image, but came to realise that in order to achieve the image I was after, I would have to [gulp] selectively de-saturate! I looked for a tutorial to teach me how to do it, and found this one on YouTube. Now I’m worried that I might become addicted to this technique. So if you see me posting too many selective-colour shots, please chastise me in the strongest possible terms.

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Just for the record, this is the shot as it came out the camera.
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And this is the version I uploaded to Flickr after some very basic editing. If the whole sky had the slightly orange tint apparent in the lower portion of the shot, I may not have bothered to go the whole hog with the de-saturation,  but I really wanted to ditch the blue.
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I did briefly toy with something like this, too.
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Contrary to what you may suspect, this is not an example of selective-desaturation, at least not via the techniques of photo-manipulation. You could say, though, that this is God Himself having a bit of fun with the technique on an African Grey.

Some photographers want to buy equipment. This is what I want to buy

I do not suffer from GAS (Gear Acquisition Syndrome). But that doesn’t mean there’s nothing photographic I lust after.

Beadwork
No, it’s not beads I want to buy. This is just a pic of gratuitous colour from my Flickr stream to brighten what would otherwise be a very dull blog post. There’s another gratuitous picture a bit further down, but it has a much better caption.

Flickr is for sale, according to this PetaPixel article. I want to buy it. I don’t have the money. If you, or anyone you know, has a spare few million US dollars lying around, (or some shiny, colourful beads that will impress the sellers) please let me know in the comments section below.

Or, if you are a banker or (ad)venture capitalist who could be interested in this little project,  you can also leave a note in the comments section.

Just for the record, Yahoo acquired Flickr in 2005 for a measly $25 000 000 (a paltry sum considering they paid a whopping $1 billion dollars for Tumblr in 2013! Tumblr is also in need of a major overhaul to regain its lost lustre, but at one time it was the fastest growing site on the Internet!)

I’m quite serious about this. Unless I can get my hands on the best photo-sharing site on the ‘Web, someone else will get their grubby little paws on it and they’ll just screw it up because they don’t understand what makes Flickr great. Eventually, it will just wither and die.

What Flickr needs at the helm is someone who not only loves photography, but also loves the Internet in general, social networking in particular, and Flickr most of all. I’m all of those. I have loads of ideas to make Flickr even better than it is right now. Not the kind of things people hate, the kind of things Flickr users have already said they want, and some things that will make it the world-beating photo site it should be.

Actually, if I was Marissa Mayer I’d keep Flickr and just appoint me as CEO. Why sell something that, with me as head honcho, will become a massive money-spinner without making users pay any more than they do right now? To paraphrase a controversial political campaign of recent weeks, I want to “Make Flickr Great Again.”

A workshop
With a bit of tinkering, Flickr will regain its once-preeminent status as the BEST place for your photos on the web. The secret lies in knowing what to fix and what to leave alone. Oh, and good marketing, too.

Actually, Flickr has been improving by leaps and bounds in the last couple years, but marketing for the service has been lacklustre, to say the least. Good marketing is vital for the success of any business, it’s not just something one tacks on to the product and hope it works. I’m no marketing slouch, but I also have access to some of the finest marketing brains on the planet, men and women who would love nothing better than to get involved in an exciting project like this because it’s a reputation-maker of note.

(If Yahoo wants to throw Tumblr into the deal as well and make me CEO of that,  I’ll fix both sites for the price of one. I cannot be any fairer than that!)

If you want to see some more of my gratuitous photography…

Where else would I be?

PetaPixel Continues their Anti-Flickr Tirade

Three anti-Flickr articles in the space of two days! (One from Wired)
It’s keeping me quite busy I tell you.

Urgent Update!

Since publishing this post, I note that PetaPixel has now published a counter viewpoint. Here’s a link to the article, written by Thomas Hawk: In defense of Flickr: 8 Reasons I’m Sticking Around My thanks go to Thomas Hawk for writing the piece, and also to PetaPixel for publishing it, restoring somewhat my faith in the site. I’m not in any way suggesting that my criticism of the two most recent PetaPixel anti-Flickr posts has influenced their decision to post the Thomas Hawk  rebuttal – in all likelihood they probably don’t even know my little blog exists.

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Below is my own response to the Allen Murabayashi piece that appeared earlier today, written before I saw the Thomas Hawk piece on the same subject.

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PetaPixel is on the warpath. Their target is Flickr.

Wielding the hatchet this time is Allen Murabayashi, chairman and co-founder of the online portfolio site, PhotoShelter, in an article entitled: Flickr’d Out: The Rise and Fall of a Photo Sharing Service.

Given Murabayashi’s background, it’s hardly surprising, though unfortunate, he’d want to trash Flickr (or any opposition photo site, for that matter), even though both sites appeal to very different market niches.

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A portion of the PhotoShelter home page. Obviously, focused as it is on the professional market, the site appeals to a very different demographic than that of Flickr, so why chairman and co-founder Allen Murabayashi feels the need to denigrate the long-standing photo-sharing site is something of mystery…but perhaps not.

My gripe is not really with Murabayashi, it’s with PetaPixel, who publish nonsense like this uncritically and with no counterpoint or alternative view.

Obviously, I don’t have any say in PetaPixel’s editorial policy, but I feel that a site that claims to promote photography in general, should be a little more circumspect in their attempted demolition of a venerable and much-loved photo-sharing site like Flickr.

Flickr has been around since 2004, making it one of the oldest social networks on the Web. Many loyal Flickr users have been with the site almost since inception. I’ve had an account with the service since early 2007, and a paid account (called Pro) since 2008.

Nevertheless, the site has had its share of problems over the years, particularly since the Yahoo buy-out in 2005.

The World Wide Web is a strange place. A “darling” site one week is excoriated the next. Yahoo was once one of those “darling” sites. Then it wasn’t. Google came along and swept all before it.

Since then, one feels, Yahoo has struggled to find a relevant place for itself.

Flickr was largely left to fend for itself and the site no doubt suffered from a lack of development, particularly as newer sites with better interfaces and slicker layouts gained traction. But Flickr underwent a major revamp in 2014, a process that is continuing as we speak.

As part of this revamp, Flickr announced a huge one terabyte of storage space to all free account holders, and unlimited space to paid account holders.

One-freakin-terabyte! Do you have any idea how big that is? Let me illustrate. According to Flickr, I have 20 619 photos loaded on the site. Admittedly, most of these pics are produced with older equipment that doesn’t produce the pixel-chomping image size of current cameras. Others are scans from low-end scanners that also produce images in an easy-to-digest size. Even so, you would expect over 20-thousand images to take up a sizeable chunk of server space. And it does. 48.46 GB to be precise – less than 10% of the 1 TB allotted space at my disposal if I had a free account!

This alone makes Flickr the absolute best bargain, photographically speaking, on the entire Internet.

Even if you never make any of your pictures available for public viewing on the site, even if you never participate in any Flickr community activities, even if you aren’t interested in any of the social aspects of the site, Flickr is a place you need to be. If just for that cloud storage.

So what do you get for free at Murabayashi’s PhotoShelter site? A 14-day trial, that’s what. When your 14-day trial runs out you start coughing up. (In the interests of openness and fairness, I’ve just signed up for a free PhotoShelter trial account, to learn a little more about the service.)

Also, contrary to what you may be thinking, I’m not opposed to PhotoShelter either. I firmly believe there’s a place for everyone on the ‘Net. It really comes down to defining your audience and going after it. PhotoShelter is very squarely and unequivocally aimed at professional photographers.

“Experience more than 100+ features specifically developed for professional photographers” and “Exceptional tools that simplify how you take care of business, from upload to sales.” are just two of the come-ons displayed in boldface headlines on the site.

The basic PhotoShelter package will set you back US$96 (billed annually) or US$119.98 per year (billed monthly @ $9.99). This buys you a grand total of 4GB cloud storage. Given today’s large camera chips it ain’t gonna take you long to use up all that space (especially if you upload RAW), and then you’ll no doubt want to upgrade your account accordingly.

If so, there are two options open to you; the mid-price range at $25 – 30  p/m (100GB cloud storage), and the “Unlimited” package at $45 – 50 p/m (unlimited cloud storage.) By contrast, unlimited cloud storage at Flickr will set you back US$39 per year, (or a measly $3,25 p/m).

Of course, storage space shouldn’t be the sole determinant of where you place your pictures on the ‘Web. There are many other things to consider, especially if your livelihood depends on your pictures. And I’m sure PhotoShelter’s 80 000 users (according to their homepage) are delighted with the service. The portfolio design options look pretty good, and there are some big name photographers there, like Joe McNally. But, it turns out, Mr. McNally also maintains a Flickr account! He hasn’t made any photographs available for public viewing yet, so he’s either using it purely for storage, or maybe it’s just for family snaps, or maybe someone else set up the site for nefarious purposes.

But regardless of who does or doesn’t maintain an account on PhotoShelter, there’s really no good reason for the chairman and co-founder to post a petty, whining, “obituary” about his possibly-longed-for demise of a competitor(?) site.

Ironically, Murabayashi does praise two other sites in his article: Google + Photos and Picasa. The problem, as he himself notes, is that they are both defunct. For a site that’s currently alive and kicking he recommends the “swell consumer tool named Google Photos”. That’s fine and good. I also recommend Google Photos, particularly if you want your pictures to show up in Google image search results (although obviously you will still have to optimise your pictures manually to get results – SEO doesn’t happen automatically no matter what site you use.) But in recommending Google Photos, I don’t trash other photo sharing and/or storage sites.

And just what kind of file storage do you get with Google Photos? Here’s what Google tells me:

High quality (free unlimited storage) Great visual quality at reduced file size.

Yep. “Unlimited” storage, but your pictures are compressed. Of course, if you don’t want your images compressed, you can always buy more storage. For instance, 1 TB will cost you US$10 per month, or $120 p/a if my maths is correct. Compared to 1 TB free? Looks like Flickr is still the better deal.

As I’ve said before, there’s a place for everyone’s pictures on the ‘Web, even on [gasp!] Facebook (often trashed by photographers, but properly understood and used by others).

As I have also said in this post, it’s understandable for Murabayashi to hold the views he does with regard to Flickr. But publishing those views on a popular, public,  photo reportage site is just plain bad marketing. Marketing 101 suggests you don’t knock your competitors. It leaves a bad taste in the mouth of potential customers who actually appreciate the slated competitor.

But PetaPixel  is simply without excuse. If  they are just chasing clicks with articles like this, they should perhaps consider the wider ramifications of what they publish. Do they really want to see a site like Flickr vanish into cyberspace never to be heard from again? Regardless of their answer to that question, they should at least give Flickr the right of reply, or, failing that, publish blog posts like this that provide a counter opinion.

Finally, I think Flickr could quite happily say, in agreement with Mark Twain, “reports of my death are greatly exaggerated.”

DISCLAIMER: I am not employed by, nor derive any income from, Yahoo, Flickr or any of their subsidiaries or affiliates. But obviously,

I hope to see you there soon!

Oh, and you’ll find Thomas Hawk’s brilliant Flickr page right here.

Hey, PetaPixel, what’s with the Flickr-bashing?

Now PetaPixel joins Wired magazine to gang up on Flickr.

flickr home page
The best place on the Internet for your photographs.

Geez! Hardly has the virtual ink on my previous post dried when this shrill, Flickr-bashing post from Peta Pixel comes along to add to the noise.

The piece, from people who are supposedly photography lovers and who really should know better, also bemoans the the fact, like the Wired article I mentioned in my previous post, that the Flickr Uploadr app for desktop and mobile devices is now being made available only to paid Flickr members.

Is this the end of the world? Hardly. Flickr users with a free account still get a pretty nifty in-site upload interface that offers both drag-and-drop and file-search options, with multiple file upload capabilities. In other words, if you haven’t been making use of the Uploadr app, you won’t notice any difference in getting your pictures onto the site.

upload interface
Uploading photos to Flickr is as easy as it ever was.

One of the things that really irritates me about the Peta Pixel piece is the headline:

“Don’t Trust ‘Free’ Photo Hosting Sites, or: The Problem with Flickr”.

Peta Pixel is being somewhat disingenuous in singling out Flickr in this way. In reality, Flickr has never been an entirely free service. Sure, there has always been a free component to it, but everyone knows you derive maximum benefit by actually paying for it – just like many other services on the web, including the paid services mentioned in the Peta Pixel hatchet job. What’s more, Flickr is much more generous to its free subscribers than any other photo hosting service I know of.

Another contentious statement in the piece is this bit of nonsense:

“Right now it almost feels like nobody really uses Flickr much anymore (it was probably as popular as Instagram around 5-10 years ago). Most people use Facebook, Instagram, or Snapchat.”

Does the writer of the piece actually live on Planet Earth? Flickr has millions of active members with a database of billions of photographs. While Facebook, Instagram, or Snapchat may well have their places, they serve different needs. They don’t do, nor can they do, what Flickr does so well.

In all fairness, Flickr did appear to be losing relevancy a few years ago. Facebook’s improved photo display interface, the great photo handling capabilities of G+, the arrival of Instagram and, to a much lesser extent, 500px all seemed to be stealing Flickr’s thunder.

But in 2014 Flickr received a major overhaul. As result, far from “Nobody really uses Flickr any more”, I’ve noticed a definite surge of newer accounts springing up in my contacts list, as well as many returning members who I haven’t seen in awhile.

One can possibly understand some petulant geeks at Wired magazine throwing a bit of a tantrum at the loss of a previously-free Flickr feature (even if they never used it – we just don’t know).

But Peta Pixel is a freakin’ photography site and should know better.

Instead of trying to drive prospective members away from Flickr, they should be encouraging them to join! Ye gads! Peta Pixel even runs its own Flickr group (which I’ve just joined 🙂 ). That’s right. It’s been running since 2009 and there are currently 106 342 photos posted there, although that number is set increase slightly as soon as I’m done working on this post.

Oh, and here’s a cool little piece of info I found on the group’s main page:

“Quick tip – Photographs added to our group pool are displayed on PetaPixel.com!”

So if you want your Flickr pictures to get a little more of that good ol’ Interwebs luurve, you know what to do.

Finally if you want to sign up for a free (or a paid) Flickr account, you can do so here. If you want to share your pictures with the world at large, you simply cannot do better than Flickr, regardless of what Wired, Peta Pixel, or any other petty naysayers may tell you.

DISCLAIMER: I am not employed by Flickr, Yahoo or any of their affiliates, nor do I have any financial interest in any of their companies.
<p style="text-align:center;"Naturally, it goes without saying…

You should be, too.

Is it Really Time to “Give Up” on Flickr? Not so Fast, Wired…

Wired magazine is telling you to get your pics off Flickr pronto…are they correct?

According to an article that appeared in Wired magazine’s online edition today, Flickr is dead.

This came as a bit of a shock to me as I was busy (coincidentally) preparing a different article to this one, a post extolling the many benefits of the long-standing photo-sharing site.

Just so that you are absolutely clear, I want to say upfront that I am a big, big, fan of Flickr. I first signed up for a free account in 2007, and about a year later I upgraded to a paid (what Flickr calls “Pro”) account. Flickr is the only online photo service I pay for, although I have free accounts with a couple of other photo networks (I like to check things out, okay?).

Flickr does a better job than any of them. So what’s got Wired so riled up about the service. Well, Flickr has just announced a couple of changes to its service. One of these means the Flickr uploader app is now only available to paid subscribers.

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Pictures from yesterday and today automatically uploaded from my phone. They appear in the new Camera Roll section from where they are easily accessible. The eye symbol on the top left image indicates that the picture can be publicly viewed, while the lock symbol on the other pics indicates they are “Private”, i.e., they cannot be publicly viewed until I change the setting.

The uploader scans whatever device its installed on for photographs and automatically uploads them to your Flickr account. These pictures are hidden from public view until you decide otherwise. I’ve had it installed on my desktop almost since it was launched about a year ago and it’s uploaded close to 20 000 pictures from my hard drive and another external USB drive. It also automatically uploads pictures from my phone without me having to do anything.

Eventually I had to deactivate the desktop uploader because of bandwith issues. But fibre is coming to our neighbourhood (hopefully next month) and then it’ll be all-systems-go again until every last picture is safely stored in the cloud!

With a free account you get 1 terrabyte of storage! That’s far, far more than any other photo hosting platform gives you. But, with a paid account I get unlimited storage. Not that I’ll ever need it. Right now, with those 20 000+ photos I’m still only using about 48 GB of space.

flickr storage used graphic

But Flicker is much more than just a storage service. It’s also a great social network and photo sharing site. After all, that’s why it was started in the first place. Regardless of your particular photographic affinity, you’ll find a group (or groups) where you can not only display photographs, but engage in lively debate as well. Flickr’s dynamic group dynamics is one of the things that keeps legions of Flickr-ites hooked to the site.

One of the things that surprised me about the Wired article was the number of Flickr fans who immediately sprang to its defense. This was a real joy to behold because, usually, when Flickr announces any changes the forums are full of people predicting its immanent demise. I guess it’s a case of “hometown syndrome” – I can say what I like about where I live, but woe betide any outsider who bad-mouths the neighbourhood.

To make matters worse, Wired ran another article titled How to Get Your Photos Off Flickr (and Where to Put Them)! I can think of a few places I’d like to put the article.

So, should you follow Wired’s ill-considered advice and ditch Flickr? On the contrary, there’s never been a better time to enjoy it. If you love your photography but you’ve never had a Flickr account, do yourself a huge favour and go get one a.s.a.p. If you are a member but haven’t checked it out for awhile, it’s definitely time to re-acquaint yourself with the site.

Obviously

Do We Really Need Another Lengthy Blog Post Every Time Someone Tries to Stiff a Photographer Over Price?

It seems that whenever someone asks a photographer to do something for free, the photographer must write a lengthy – and usually tedious – blog post explaining how tough they have it. Listen, pal, no-one forced you into this business.

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Okay, we get the picture…

Hey photographers, what do you want first…the good news, or the bad news?

Don’t worry, I can see you’re a pretty tough cookie, so I’m going to let rip with the bad news first:

There are people who won’t want to pay your totally reasonable asking price.

I’m sorry, there’s just no way to break this shocker gently. But it gets worse (if that’s even possible)…Of the people who don’t want to pay your asking price, a few will give you some appallingly inane reasons, demonstrating their utter lack of understanding of “how a photography business operates.”

When this happens to you – and it will – there are five options open to you:

  • Option #1. Give in meekly and accept the price reduction while apologising for being insane to expect such a high price in the first place. (I call this the “Wimp Option”)
  • Option #2. Politely, but firmly, refuse to accept the reduced offer (remember, you don’t want this idiot bad-mouthing you all over town)
  • Option #3. Impolitely tell this person to “[expletive deleted] off!” (Who cares if he bad-mouths you all over town, the only people he knows are cheapskates just like himself! (Probably the most satisfying option)
  • Option #4. Write a lengthy, whiny, boring,  blog post about the philistines who have no idea how a photography business actually operates. Don’t forget to go on ad nauseam with the tedious details of how much your equipment cost, how much you pay for web hosting, how many hours you spend editing, how much your assistant costs you, how many years you spent learning your craft, how much transport to and from the location/venue costs, how expensive hardware and software is getting these days, and anything else you can think of that adds a dime or two to your final price. Heck, how much did you say you paid for that kitchen sink?
  • Option #5. Accept the job OR refuse the job, and quietly move on without alerting the world to the scumbags out there trying to fleece you, who don’t have the foggiest of how to run a photo business, or how your fees are structured, or whatever. Realise  that We. Just. Don’t. Care.
free photography
Yes, we get the picture!

Actually, on second thoughts, don’t go for Option #4. Never. Ever. Please. Spare us the diatribe. You got into this business because you wanted to. I’m sure no-one put a gun to your head and said: “You better start a photography business and accept crappy prices.”

So, what’s the Good News? Only this:

Some (most?) people are only too happy to pay your asking price. If they weren’t, you wouldn’t really have a photography business, would you?

goodphotography
Alright, already! We get the f*****g picture!!! (If you’ll pardon the pun.)

Those who aren’t willing to pay only deserve, at the very most, a semi-humorous little meme posted to your Facebook page or Twitter feed.

As for the people who do buy your pictures without complaint, treat them like gold. Perhaps these are the people you should be blogging about.

And you should be, too!

Are photographers writers undervalued?

Validation from the Light Stalking website …I’m honoured.

Photographing the Confederations Cup soccer tournament final, Loftus Versveld, June 2009
Photographing the Confederations Cup soccer tournament final, Loftus Versveld, June 2009

I recently responded to this post about how photographers are often undervalued. I sent a link to my article to Light Stalking, where the original post appeared.

In the last line of my blog post I made this half-joking comment:

In closing, if Dsvonko (the article’s author) really wants to know what it’s like having one’s work devalued, he should try writing for living!”

The powers-that-be at Light Stalking were none too keen on my point of view, which I offered as an alternative opinion on the matter. I received a terse, dismissive, one-line reply from someone at Light Stalking (whom I won’t name as this is not a name-and-shame exercise) that brought this issue into sharp focus (if you’ll forgive the photographic pun).

Here is what Light Stalking told me, verbatim:

“I don’t pay my writers enough to put up with snark.” [Emphasis added]

Q.E.D.

P.S. I’ve made my living as a writer for the better part of 40 years, so I’m well-versed with the battles many writers sometimes experience to earn their daily bread.

©2016. All images copyright Grahame Hall and may not be used without my written permission. Please respect the rights of others.

The [One-way] Time Machine

These pictures, taken more than 20 years apart, demonstrate the truth of the old adage “The more things change, the more they stay the same”.

Ever since the publication of H.G. Wells’ The Time Machine in 1895, the concept of traveling back and forth to different eras has gripped the human imagination.

The idea of time travel has been explored in hundreds of books, comics and movies. The two that spring immediately to mind are Back to the Future, and The Time Traveler’s Wife.

But perhaps the man who has come closest to inventing a workable, practical “time machine” is George Eastman. Although he didn’t invent photography, with his “You press the button, we do the rest” idea he certainly made it popular, bringing it withing reach of the everyday man.

eastman kodak you press the button we do the rest
An early advertisement for George Eastman’s Kodak camera – the world’s first practical time machine.

Unfortunately, Eastman’s time machine can only travel in one direction – backwards. A machine that can transport us to the future remains elusive.

All this musing about time travel was really triggered by a short trip to the Golden Gate area of South Africa’s eastern Free State highlands. On this trip we stayed at the Sunnyside Guest Farm, near the town of Clarens, just as we as had done a couple of decades previously.

When I looked at the pictures I took on this most recent trip, I was immediately struck by how similar they looked to the pictures I had taken on previous visits to the region. But all the previous pictures were taken on analogue film cameras.

As I was looking at the new pictures, I kept being reminded of the old ones, and I had the distinct feeling that going back to Golden Gate was a bit like going back in time. Then I decided to actually dig up some of the scans I’d made some time ago of shots from previous trips to Sunnyside and the Golden Gate Highlands nature reserve.

swimming pool at sunnyside guest farm clarens eastern free state
The top picture shows my older daughter sitting on the slasto stone surround of the swimming pool at Sunnyside Guest Farm. The lower picture shows my younger daughter diving into the same pool more than 20 years later.

 

composite 006
There are no horses at Sunnyside today, but these pictures, although taken decades apart, show essentially the same scene.

 

composite 005
The lower (modern) picture is much more pleasing because it doesn’t have the same awkward crop that chops off the top of the massif.

 

composite 004
While the P.o.V., camera, lens, time of day, and season may all differ, these two pictures are of the same sandstone formation.

What bothers me about the similarity of so many of my Golden Gate pictures is the thought that maybe I haven’t progressed at all as a photographer despite the advancing years. But, on a more positive note, the similarities may be due to being moved by the same sense of wonder I feel on every trip to this awe-inspiring place.

I’ll conclude this post with a couple of shots from my recent trip without reference to past journeys.

Sandstone formation in Golden Gate Highlands National Park
This is a closer view of the sandstone formation pictured above
dam wall
For me, no visit to Golden Gate nature reserve would be complete without a visit to “my” dam. The water level was lower than I’ve seen in previous visits because of the drought that has gripped the interior of South Africa this summer. We’ve had some good rains in Johannesburg since then, and I hope these have extended to areas further afield. This dam is the subject of another blog entry you can read here.

©2016. All images copyright Grahame Hall and may not be used without my written permission. Please respect the rights of others.